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Sunday, November 17, 2013

What To Do With All This Music?

What should we do with all this music? This is a question that I hear often fro managers, artists and D.J’s. Often time’s artists find themselves with an extensive catalogue but no real outlet or platform to share all the music. Sites like Sound Cloud and MySpace are a great platform to share music and YouTube is a great place to share videos. The sites I have previously mentioned offer a way to expose yourself to the public but its hard work to make your songs go viral.

I have noticed that many artists overproduce. These artists simply spend too much time and money recording and producing music. The time and money these artists spend creating music could easily be better spent marketing past or current projects instead of starting new ones. Too many artists record just for the sake of recording. I believe an artist should feel free to create at will but consideration for the marketing plan should take precedence of perpetual recording at a considerable cost per hour.

Every artist must decide whether they simply want to be a working musician or a celebrity/ superstar. There is considerably more work from a marketing standpoint that goes in to creating a superstar. For instance, image reigns supreme in the pursuit of superstardom. Accessibility to the public is also very important and the seclusion of studio recording does not lend it self to a sustained marketing campaign. In my opinion an artists should treat recording like athletes treat sports, never stop practicing but save your energy for the game and don’t over exert yourself in preparation.


So what do we do with all this music? We test singles with our core audience and pick the ones that garner the best reaction. Market your single to the best of your ability by performing and perhaps finding ways to cross promote the song through commercials, movies and other forms of entertainment. Stop finding new singles to promote half heartedly while the first is still under promoted.   

Sunday, November 3, 2013

Why Separate The label From management?

The TLC biopic on VH1 created a lot of outrage due to the questionable practices by the former manager of the group Pebbles. Most of the problems that occurred should have been foreseen considering that LA Reid who at the time was pebbles husband also owned the label they were signed to. Most people would call this a conflict of interest but technically its not since the companies are separate entities. Managers play a big role in the career of an artist and they should also be a level of confidentiality between the two.

A husband and wife are as close as two people can be and having that level of intimacy between management and the label cannot be healthy for the artist. Record labels are known for being shrewd but if they have such an advantage they will be at an unfair advantage. The movie depicted a group who were grossly underpaid and overworked. The problems they had were to be expected because their manager basically worked for the label.


The record company is a business and their goal is to make money. An artist has many other goals such as stardom or just simple creation of art but while the artist is focusing on these things a manager must handle the business to ensure the artist is taken care of financially. A record label should never hire managers, attorneys or accountants for their artists those people must have your best interests in mind. The group suffered many financial hardships due to management even though they were one of the top selling groups of all time. Artists have to learn how to say yes or no to certain proposals from the label but the person who’s responsible for teaching the artist should be management. Because of the closeness of management and the label TLC suffered.   

Sunday, October 27, 2013

The Real Gate Keepers

The entertainment industry is full of tastemakers and talented individuals but over the years the consumers have been exposed to the real gatekeepers of the industry. The Internet and companies like Napster started a revolution that got associations like the RIAA and The MPAA up in arms over their dissemination practices. No one ever expected music and movies to be totally free but somehow the Internet found a way. The RIAA and The MPAA became the only levee between the art that is made for the public and the methods of actually collecting dollars for that service.

Companies like ASCAP and BMI have a service that allows artists to profit from their art when displayed for public consumption but they don’t necessarily put you in a position to make that money. There services are essential if you want to have your music and videos played on television and radio. The main goal of these associations is to insure the artist and make sure the material he or she creates is protected and paid for at market value. The more a person delves into the entertainment business the less you identify with the consumer at least from a fan perspective. Industry professionals want consumers to pay fair prices and not pirate their product but the web makes it too tempting for many of them.


The MPAA And RIAA must be proactive about techniques that deter piracy and reward genuine purchases. People want value and with more and more content on sites like YouTube people are less likely to go buy a substandard album or even watch T.V for their music videos. Companies like South BY Southwest offer a superior product simply because they empower the artist. A place where you can debut a clothing line a movie, video game or and album is the perfect platform for the fast moving A.D.D culture we live in. I relay on the MPAA and the RIAA to watch out for my interests as a businessman but as a consumer I wonder if they have a remedy for the shift in technology and information sharing.

Saturday, October 26, 2013

The Science Of Viral Vids.

Today I’d like to write about Kevin Allocca The Trend tracker for YouTube. Kevin’s Ted talk is titled “Why videos go viral”. I chose this presentation because the entertainment business is being filled with individuals discovered on YouTube. I was curious to see if there was a real formula to get over a million views. Kevin makes it clear that there is no formula but there are factors in creating a viral video.
First Kevin talks about tastemakers, which play an important part in the process. Almost every viral video has been mentioned, re-tweeted or posted on social networks. The “Friday” song by Rebecca Black is the perfect example the song had comedic potential so many tastemakers including web clip shows shared the vid and even did spoofs until the song topped out at 200 million views.

The other factor Kevin talks about is the unexpected. I believe humans are inherently inquisitive so they love to see things they haven’t seen before. People will flock to see a double rainbow if they haven’t seen it before but if you add unexpected funny commentary things can get interesting. We like to think about artists like Justin Beiber when we talk about artists who where discovered on You Tube and Kevin and I agree this will become more common over time basically making the web the place to have national auditions.


The last factor Kevin talks about is community. Web videos like “Prancersise “ and “Friday” lend themselves to hilarious spoofs that create great interactions within the general public. These interactions increase viewership even more.  So the consensus is who really knows which videos will go viral. What we do know is that the ones that do tap into all or one of these factors every time. This is great information for someone in the entertainment business because now we at least look for these factors in the marketing process to increase our chances of reaching a large audience.

Wednesday, September 25, 2013

The Effects of Drugs on Entertainment


Most people in the music biz see narcotics as a ubiquitous entity in the industry. Pills like Ecstasy and painkillers and other drugs like Molly, Cocaine, LSD and the often-decriminalized Marijuana are used by many and abused by some. Certain drugs like LSD and MDMA (Ecstasy) heighten the senses so club attendees and concertgoers often take these drugs to intensify the entertainment experience. Marijuana and alcohol lowers inhibitions and makes people more receptive to certain forms of art especially music.

Cocaine is known to make people euphoric, energized and impulsive. Many musicians use Cocaine to hype themselves up before a performance or to combat a grueling tour schedule. The customers use drugs to intensify their experience and the performers use drugs to intensify their performance. The drugs I named above are mainly street drugs and can only be purchased illegally. There are several legal narcotics such as Xanax and Adderall that offer the same benefits as their illegal counterparts but are not as associated with abuse.

Working as a music producer I realized that there are very few music studios that don’t allow pot use indoors. The recording process is treated as a ritual with many performers and Marijuana is almost a tool of the trade for many Writers, performers and producers. The question is do drugs make entertainment better? The answer is no. Drugs don’t ultimately change your environment but they do change your perception of it. Yes some people do create great music under the influence but smoking a joint doesn’t make you sing or play better it just alters your mood so that you enjoy the process more. The same goes for the consumer, getting high at a show doesn’t make the band suddenly play better. The feelings induced by your drug of choice coupled with a satisfactory environment often make people have a better experience.

All drugs legal or illegal have negative side effects but for most people the worst side effect is incrimination. I have been to many concerts and the one thing I’ve noticed is that police rarely detain anyone for drug use at these events and that goes for Eagles concerts or Jay-Z concerts. Even police understand that certain environments are conducive to drug use. I do-not condone drug use by anyone especially under aged patrons but there’s no denying that for some people Drugs and certain forms of entertainment go hand in hand.

Narcotic use often begins as a social practice for many people and then grows into a terrible addiction. Drug use can lead to unemployment, incarceration and death. There are several opinions about marijuana use but drugs like Heroine and cocaine are not really up for debate these are drugs that kill people everyday. Anyone reading this that thinks they may need help please seek it through the treatment link.